Love in the time of Henry. A Historical Novel Review.

At the King's Command
(The Tudor Rose Trilogy, Book 1)
by Susan Wiggs

Cover: I like. Generic, but pleasing. Headless woman strikes again! What cover will she appear on next?!?

Summary: Juliana Romanov is a young girl when she witnesses her family's murder at the hands of treacherous aristocrats. She was princess of Novgorod, and now she is nothing; if she wants to keep her life, she'll have to go on the run. Fleeing with a band of loyal gypsies and her dog Pavlo, she sets out for territories unknown.

We jump forward in time to catch Henry VIII, king of England, in bed with Stephen de Lacey's intended. Stephen, baron of Wimberleigh, has had enough of the hypocrisies of the Tudor court, and doesn't hold back from mouthing off to the most frivolous king of the age. Luckily for him, the king is in a magnanimous mood, and only commands that Stephen get himself re-married as quickly as possible. Unluckily for him, the king assures that Stephen get himself re-married that day, to the first eligible woman he sees: a gypsy stealing his horse.

Of course, the gypsy is none other than Juliana, forced into exiled poverty, having finally made it to England to beg King Henry's help in righting the evils done her family. She never counted that no one would believe her to be the daughter of a Russian lord, however, and so she finds herself carted off to be the bride of the reluctant Stephen at his home in the country.

Stephen can only count the days or weeks until he can be rid of the upstart gypsy girl and continue mourning his dead wife. Juliana is determined to free herself from this unwanted marriage and continue pursuing justice. But perhaps the two of them can find strength and hope within each other...

My Review: This historical romance follows the classic Pygmalion storyline: a wealthy, stuck-up gentleman must prove himself by taming a half-wild girl. There is a makeover. There are lessons on how to behave in society. There is no singing, but there is gypsy dancing, so...

I really liked the pacing and characterization of this book; I think they set it apart from the typical romance novel. While there is an enormous leap forward in time, of which we never learn much, it takes a significant amount of time and development for Juliana and Stephen to discover that they are each others' perfect matches.

And that isn't to say that they start out as perfect lovers. Stephen must overcome his introversion; his natural inclination is to keep all his sorrows and shames to himself. I don't know whether that is a result of the fact that he feels entirely alone since his wife's death, or that he maintains an old guilt complex. It's probably a mixture. He keeps himself from becoming attached to Juliana not because she is uncouth, which is what he tells himself, but rather because he is afraid to love someone. He's not sure he deserves the happiness of a good marriage again. He's nothing special; why should he get two lovely marriages when he has only ever done the wrong thing? He also hides an enormous secret, which we don't discover until well-into the novel, that explains a lot of his brash behavior.

Juliana, on the other hand, must to a certain extent give up on her inimitable drive for justice. She is so caught up in getting what is her due that she finds she must slow down and take the time to help others before she can help herself. As the years pass she loses sense of who she truly is. She can't figure out where she belongs: in a royal court of Russia, with a roving band of gypsies, or settled in this bedeviling lord's home.

It takes time and individual will for the two to come together. Neither one is able to change the other; change must come from within. They must choose each other. And, of course, the ending is entirely satisfying.

The two protagonists are definitely people of their time. While Juliana is spunky and willful, it is as a gypsy that she became so, not as a court lady. Stephen treats his wife, and women in general, as a Tudor man might have done. Though Henry VIII's fictional command to Stephen was outrageous, we can possibly believe that something of the like could have happened, especially later on in the monarch's life.

There were a few instances of weird description that had me smiling. "Clever laces" and "rosy bosom"... so Stephen's dressing laces are members of Mensa, and Juliana has rosacea?

There was some questionable historical content, as well. I don't know how likely it was that a Russian noble lady would be perfectly fluent in English and understand English court customs. This novel takes place, after all, more than 100 years before Peter the Great idolized Western culture and modernized Russia into a unified, powerful empire. She more than likely would know nothing of England, from what I understand of the situation.

Still, this was a thoughtful and charming romance. I think I will keep an eye out for the sequels coming out in the future.

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Note: This is a reprint from the original, known as Circle in the Water, published in 1994. The final two books in the trilogy are slated to come out in September and October of this year.

"I'm a courtier, get me out of here!" A Historical Novel Review

Secrets of the Tudor Court: The Pleasure Palace
By Kate Emerson

Cover: Just another Headless Girl wearing period clothing, so nothing different from the norm. The coloring, however, is gorgeous and definitely stood out on the shelf when I was buying it.

Summary: Jane Popyncourt, born Jeanne of Brittany in the late 15^th century, is a courtier born and bred. Though her father was a “common” merchant, her mother is gently-born and a lady-in-waiting to Queen Anne of France. But when she is only eight years old, Jeanne and her mother achieve a mysterious escape to England and are taken in to serve Queen Elizabeth, wife to Henry VII. Jeanne changes her name and abandons her French heritage, embracing the skanky life of the Tudor court.

The “Pleasure Palace” of the title refers to Jane’s nickname for Greenwich Court, Henry VIII’s favorite palace. She grows up amid the revelry, debauchery, and tumultuous years of the two monarchs as a friend of the younger Henry’s sister, Mary, and easily finds herself drawn in among the English. Though confessing she is not a great beauty herself, she entertains the attentions of famous court lover Charles Brandon, and even the King himself.

When Henry VIII finally accepts France’s overtures of war, Jane becomes caught in the middle. She cannot figure out where her loyalties lie: with a handsome French duke held captive by Henry, the duke’s attendant and Jane’s childhood friend, or with the English King. Deciding wrongly could cost her life.

Among the court intrigue lies Jane’s personal mystery: why did her mother spirit her away to England and never explain the reason? Did she have a hand in the King of France’s supposed murder? And whatever compelled the elder Henry to take care of them in the first place? Jane struggles through war, love affairs, and dangerous liaisons throughout this romantic Tudor novel.

My Review: This was a good, breezy summer read. It caught my eye while I was shopping at Target and I proceeded to read it in two sessions of basking in the sun.

The novel is written in the first-person from Jane Popyncourt’s perspective, and our heroine spends most of her time relating events and background information in a gossipy voice. I loved the fact that Emerson didn’t put a 21^st century woman’s mind in a 15^th century woman’s body. Jane knows and accepts the woman’s role in the Tudor court: women must obey the men’s decisions, and sex can be used like currency. She plays into it when Henry VIII forces her to use her affaire with the Duke de Longueville to spy on the French, and we even see her assisting Henry’s various paramours from being discovered by Queen Catherine.

At the same time, Emerson still manages to comment on the sexual behavior of the Tudor court as being hypocritical. Henry is a womanizer, and yet he insists there never be “lewd” behavior at his court. Affaires are thus, if possible, more clandestine and exciting for these people than ever. In this regard, the actual historical bargain that the Princess Mary makes—she gets to choose her next husband for herself when her husband, the old French King, dies—is kind of awesome and very interesting to read in this book.

I had only a few problems with this book. The largest plotline is Jane trying to figure out her own past and why she and her mother fled France. Since Emerson spends so much time emphasizing the difficulty of keeping secrets at court, I just find it hard to believe that as few people as in the novel would not have guessed the truth long before she does. The mystery is wrapped up perhaps too succinctly at the end of the book, and I would have liked to see more interaction between Jane and her lover prior to their marriage (it is a romance, after all!). However, I overall had fun reading this book and will look for the next Tudor novel to come from this author.

Some notes I took while reading:

• On p. 115 of my paperback— The elder Sir Thomas Brandon leaves his son Charles’s rightful property to his best friend’s widow. Jane muses on this mysterious allocation of property, saying, “[Thomas] must have felt sorry for her.” My thinking? Given the nature of this court, the two were probably going at it behind everyone’s back. And thus we know we’re dealing with an unreliable narrator… interesting!
• The “missing past” plotline reminds me of that old scary story… a girl and her mother check into a hotel, when the mother becomes violently ill. The hotel sends up a doctor, who requests that the daughter drive out to pick up a prescription. The girl does so, but on her way back her taxi takes her all around the city, rather on a straight path back to the hotel. By the time she gets back to the hotel, her mother has disappeared, the room is entirely different than she remembers, and the hotel staff act as though they had never seen her before… alright, so maybe it’s not that similar. But Jane interrogates quite a few courtiers who claim not to have known her mother, and then turn out to have had a hand in her fate. Then again, it also reminds me of that Julianne Moore movie where she loses her kid and everyone pretends she’s crazy… which is the same plot device used in that Jodie Foster movie… Ok, I guess this is a weird story line that has been tossed around a lot lately.

• In the amazing Showtime series The Tudors (which will probably merit it’s own review at some future date in this blog), Charles Brandon, Duke of Suffolk, looks like this: ... since I kept imagining Brandon thus while reading this book, I found it very difficult to believe that Jane could keep turning down his advances. I realize this is a personal problem.
  
• That was one more, just because I felt like it.

The Author’s Website: Kate Emerson Historicals

*Note* There appears to be another "Secrets of the Tudor Court" novel slated to come out in 2010 called Between Two Queens

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